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The burgeoning Indian concert scene, attracting international and domestic stars alike, is experiencing a significant setback due to widespread complaints regarding poor management and inadequate infrastructure. While 2024 saw a surge in high-profile performances by artists such as Dua Lipa, Bryan Adams, and Diljit Dosanjh, the overwhelmingly negative feedback from attendees paints a stark picture of an industry struggling to meet the demands of a rapidly growing market. The issue isn't merely a matter of inconvenience; it encompasses serious concerns about safety, sanitation, and the overall concert-going experience, prompting questions about the industry's preparedness and ethical responsibilities.
Social media platforms are flooded with accounts detailing nightmarish experiences. These range from hours-long traffic jams and difficulties securing tickets to grossly inadequate sanitation facilities and chaotic crowd control. The accounts highlight a significant disparity between the exorbitant ticket prices – reaching upwards of Rs 35,000 for some events – and the abysmal quality of services provided. One attendee of a Bryan Adams concert described the horrifying experience of soiling himself due to a severe lack of restrooms, highlighting a blatant disregard for basic human needs. Another attendee recounted navigating a frustrating coupon system that accepted only cash, suggesting an attempt to evade taxes and showcasing systemic corruption within the event's organization.
The problems are not confined to individual instances; they represent systemic issues affecting the entire concert infrastructure in India. Diljit Dosanjh, a popular Punjabi singer, initially voiced his strong disapproval of the country's concert infrastructure before retracting his statement. However, his initial comments, highlighting problems with stage setup and audience interaction, underscore the broader challenges faced by artists and organizers. The lack of dedicated venues and reliance on makeshift arrangements, particularly in smaller towns, contribute to these problems. Concert organizers themselves acknowledge the infrastructural limitations, pointing to difficulties in securing permits for stadiums and the limited resources available for smaller events.
While the economic success of the Indian concert industry is undeniable – generating an estimated Rs 800 crore in revenue in 2024, with projected growth – the current model is clearly unsustainable. The growing disparity between the revenue generated and the poor experiences of attendees is not only damaging to the reputation of the industry but also potentially dangerous. The reports of fistfights and theft at certain events highlight the safety concerns that arise from inadequate crowd management. The lack of sufficient toilets and other basic amenities not only creates uncomfortable situations but can also pose significant health risks, as several attendees have noted.
The future of the Indian concert industry hinges on addressing these systemic issues. Improved infrastructure, better crowd management strategies, and a greater focus on providing adequate sanitation and safety measures are crucial. This necessitates not only a collective effort from organizers but also active participation from regulatory bodies in ensuring adherence to safety standards and fair practices. While some attendees might find a certain thrill in the chaos, it's essential to shift the focus toward creating a more positive and enjoyable concert-going experience that justifies the high ticket prices and enhances the overall reputation of the Indian music scene. Ultimately, the industry needs a complete overhaul to align its growth with the expectation of a more discerning audience demanding a better return for their investment.
The long-term sustainability of the Indian concert industry depends on a transformation that prioritizes the needs and safety of attendees above profit maximization. While the current model may be lucrative, it lacks a crucial element: respect for its consumers. The continued prevalence of stories like Sheldon Aranjo's and Akassh Ashok Gupta's expose a troubling lack of accountability within the industry. Unless a significant shift towards ethical and responsible practices occurs, the current boom may quickly turn into a bust, driven away by a disillusioned audience and a damaged reputation. The potential for growth is significant, but only if the underlying problems are addressed effectively and decisively.